UPCOMING PROJECT: (un)making sense

Next week I'll be doing a project at GPS (Greensboro Project Space); a brand new, experimental space.

Project Details:

Title: (un)making sense

Friday: First Friday Opening 6-9pm, Performance starting at 7pm, followed by a casual Q & A.

About: This project is an environment for the rearrangement of language. Much like momentary thoughts swirl around in our heads, this space will hold sound: amplifying ephemeral thoughts both sensical and not. By using words and phrases as contextless fragments, new arrangements create new meaning. 

Performance: In the center of the industrial gallery space will be a personal pop-up studio. I'm going to be typing stream of consciousness style on a scroll of paper loaded into my Smith-Corona typewriter. The sounds of the keys punching the paper will be audible in the space. Two readers* will occupy the space, reciting written words arranged by participants. Throughout the space, several audio speakers will be looping sounds of writing, typing, and spoken word. 

Participation: There will be two interactive pieces that the public can participate in. On one wall of the space, there will be three slender maple shelves holding slips of paper. The paper holds fragments of language, both sensical and not. Beneath the shelves will be a stack of more paper (more fragments). The public is encouraged to handle these cards, rearrange them, switch them out, scramble them up, and edit them - making/unmaking phrases and meaning. To document these changes throughout the duration of the project, the words will be spoken aloud and amplified, adding to the composition of sound. This sound will be live; its made and then its gone. On the opposite side of the space, there will be a pile of words typed on paper. Participants are encouraged to use the provided words and pin them directly to the wall creating poetry/phrases/stories by addition (much like novelty magnetic poetry sets for refrigerators). Throughout the project, this piece will grow in size as words are continually added.  

*Thank you readers, Kate Gordon and Caroline Bugby.